AIRLOC

Two elderly London widows, Muriel and Ruby, have just arrived by coach for a seniors’ holiday break in the Scottish Highlands. They’ve never been to Scotland – or indeed out of London – before.

Although they’ve been friends since childhood, they’re contrasting characters. Ruby is the more adventurous and outgoing, while Muriel, who was reluctant to come, is more withdrawn and imaginative. On arriving at the rather sinister Fairloch Hotel, Muriel has immediate misgivings. Resting in her room, she falls asleep for a moment – or maybe not – and encounters a wisecracking angel who warns her to get out of the hotel while the going’s good. When Ruby suddenly crashes back into the room, the angel vanishes. Muriel agrees to go down and join the welcome party with Ruby, but her sense of impending doom only deepens when she meets the staff, overhears some strange conversations and encounters the angel again in a different guise. Eventually, she faints and has to be helped up to bed.

Next day, Muriel having persuaded her doubtful friend that they need to find somewhere else to stay, the pair lodge at a bed-and-breakfast establishment presided over by friendly local matriarch Ella. As the conversation develops, more is revealed about the Fairloch Hotel, its lack of engagement with the village and its gruesome wartime history. Ella mentions that she sees plenty of coachloads arrive there, but never seems to witness them leaving. The buses go away empty.

While Ella and Ruby bond over a bottle of whisky, Muriel excuses herself and goes for a walk on the beach under the moon. This time, when the angel arrives, he takes a startlingly different form. Ella realizes her vision – if that’s what he is – is something far older and more dangerous than she thought. But dangerous to whom?

There’s a reckoning coming with the forces that power the Fairloch Hotel, and by the time it’s over, Muriel will find herself utterly changed.

$10.00

Wolfsong Cover

Praise for AIRLOC

Clare O’Brien’s AIRLOC begins quietly with two old friends on a coach holiday in the Scottish Highlands, but it’s not long before a deepening sense of unease slithers through the ordinary. Windows stare like insect eyes while a building squats like a spider. The cunning set up could lead the tale in many directions but O’Brien leads us down the most unexpected path into a world where the mundane and the fantastical interwine with the utmost ease. A story that stays with you long after the last word has been read.

―Lorraine Thomson, author of seven novels including Boyle’s Law and  Modernist Dreams Brutalist Nightmare

Clare O’Brien writes with an easy fluency that underpins her strong narrative voice, one that is also stylistically flexible, supple and convincing in its attitudes and ironies—key features of her writing given the story’s trajectory. Characterisation, and narrative, frequently display deft touches of humour and insight that fix her characters in our imagination but which also engage the reader’s trust as the story flares from the mundanities of an event as ordinary as a bus tour into an epic of magic realism and the gothic before gliding on to its touching denouement. Clare O’Brien can lead you into other worlds, a journey worth the taking.

―Jon Miller, Scottish Highlands-based poet and winner of the The Poetry Business 2022 International Book and Pamphlet Competition for his collection Past Tense Future Imperfect

Clare O'Brien

About the Author

Born and raised in south London, Clare has worked as a schoolteacher, an arts journalist, PR to a Scottish politician and PA to an American rock star. She now lives and writes beside a sea-loch in north-west Scotland with her husband, her wolfhound and her cat, which suits her much better. Her debut poetry pamphlet, Who Am I Supposed To Be Driving? a series of ekphrastic poems in response to the music of David Bowie, came out in 2022 with Hedgehog Poetry Press. Her fiction and poetry has also appeared in anthologies including Heather: an anthology of Scottish writing and art (Alice Louise Lannon, 2022), Poems From The Heron Clan IX (Katharine James Books, 2022) The Sea Is Here (Unimpatient, 2020), The Anthology Of Contemporary Gothic Verse (Emma Press, 2019), Songs To Learn And Sing (Hedgehog Poetry Press, 2018), The Powers Of Nature (White Craw Publishing 2017). She has contributed work to litmags including Mslexia, Popshot, The Mechanics’ Institute Review, Northwords Now, Lunate, and The Ekphrastic Review. She also has a bulging clip file of journalism published over the years, from book, film and music reviews to celebrity interviews.

Email: clarefromscotland@gmail.com
Web: clarevobrien.weebly.com

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