Farmstead, Fire, Field

Bucolic and brutal, Farmstead, Fire, Field moves us through landscapes of farmland and longing. These poems explore the complexity of the rural with keen observation and gorgeous images: sugar maples trickling “in unison / from metal taps, sap boiling / off as honeyed vapor,” the barns and houses all painted the same “cheap red, / because, of all things, it is rust / and blood that are plentiful."
Wolfsong Cover

Praise for Farmstead, Fire, Field

Bucolic and brutal, Farmstead, Fire, Field moves us through landscapes of farmland and longing. These poems explore the complexity of the rural with keen observation and gorgeous images: sugar maples trickling “in unison / from metal taps, sap boiling / off as honeyed vapor,” the barns and houses all painted the same “cheap red, / because, of all things, it is rust / and blood that are plentiful.” Campbell’s collection moves beyond these quiet fields and into the tough honesty of universal human feeling, where sometimes the most tender act is not so straightforward, as in “Juvenilia,” with a speaker who is fearful of crayfish, and a girl who “maimed one crayfish / just so I could hold it.”

—Lisa Mangini

With sonic precision and an ear for the cacophony within his speaker, Duncan Campbell investigates family origins, small town myths, the ghosts we hunt and the ghosts we flee. Trapped in tradition and breeding a restless youth, the community Campbell’s poetry surveys flourishes with wildlife, detail, and nuance. These poems hum with history and, whether filled with desperate energy or repose, come to life through stunning and original imagery. In Farmstead, Fire, Field Campbell writes “The doorway / is small, but you could always / lean in.” This is a book to lean into.

—Heather Cox

Duncan Campbell

About the Author

Duncan Campbell holds an MFA in writing from the University of New Hampshire.  His poems have appeared in burntdistrict, El Aleph Magazine, elimae, Ghost Ocean, Stoneboat, Sun’s Skeleton, Transom, and elsewhere.  He was the recipient of the Edward R. and Frances S. Collins Literary Prize in 2010 and the Dick Shea Memorial Award in 2012.  Duncan lives in Huguenot, New York, and, in addition to work in outdoor education, he co-edits Paper NautilusFarmstead, Fire, Field is his first chapbook.

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