Mangrove

Bill Hollands’s debut poetry collection Mangrove takes the reader on a journey from denial and shame to acceptance and love. In poems both narrative and lyric, comic and tragic, accessible and multilayered, Hollands explores what it was like to grow up gay in the late twentieth century, to deal with grief, and to create a family of one’s own. Throughout the collection Hollands weaves together the swampy landscape of Florida and the glittering escape of popular culture, all in a voice that is distinct, warm, poignant, and funny. At times surprising, sensual, and touching, these are poems to be savored individually and devoured all at once.

ISBN: 978-1-942004-87-5

$16.00

Mangrove Cover

Praise for Mangrove

Bill Hollands is a natural storyteller. His poems are performative in the best sense of the word—rooted in high school and community theater stages, the tennis court, and reimagining TV classics like The Love Boat, Gilligan’s Island, and The Mary Tyler Moore Show. In Mangrove, even his childhood Miami home becomes a stage as he searches for it on Zillow. Memories about the less-than-fun parts of childhood like the Presidential Fitness Test and desk graffiti about himself become a tableau of humor and innovation. And who else can begin a love poem like this? “I gave you crabs and you let us / pretend that it might have been / you who gave them to me and that / was so lovely…”. No one! The poetry curtains open and there is a spotlight—inside it, Bill Hollands.
          –Denise Duhamel

In this delightful collection, Bill Hollands confirms he “can, after all, put on a show.” With humor, a conversational rhythm, and a careful eye for detail, he explores how a boy who is told “you are not like the others” finds his own identity. Via masks such as Ginger and Mary Ann, elementary musical performer, and young tennis wannabe­­—sometimes tortured, always determined—he keeps returning to and claiming “beauty, beauty beyond understanding.” The Florida and pop culture of his 1970’s childhood provide a backdrop for discovering his own Mangrove. While remembering mother, father, and brothers—along with card tables, Aqua Velva, and The Love Boat—Hollands assures readers: “here’s the great thing about poetry: you can change the ending.”
          –Ellen Bass

Bill Hollands’ song is one of sitcoms, family, and childhood. And most of all, apartness: “the ritual humiliation.” And loss. Hollands shows us that memory is unfinished, like one of his mother’s jigsaw puzzles. And shows us, too, that you can create your own family.
–David Trinidad

 

Bill Hollands

About the Author

Bill Hollands was born and raised in Miami, Florida and holds degrees from Williams College and Cambridge University. He worked for the New York Public Library and Microsoft before becoming a high school English teacher. He returned to writing poetry after a long hiatus, and his recent poems have been featured on The Slowdown podcast and in such journals as New Ohio Review, The Adroit Journal, Boulevard, The Greensboro Review, Poetry Northwest, Plume, Rattle, DIAGRAM, The Southern Review, Smartish Pace, North American Review, Birmingham Poetry Review, and Gigantic Sequins. A multiple Best of the Net and Pushcart nominee, he has been a finalist for North American Review’s James Hearst Poetry Prize, Sycamore Review’s Wabash Prize in Poetry, Smartish Pace’s Erskine J. Poetry Prize, and New Ohio Review’s NORward Prize, among others. He lives in Seattle with his husband and their son. Find him at https://billhollandspoetry.com/ and on X/Twitter @bill_hollands.

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