Requiem for a Doll

What is the appeal of the miniature, of the simulacrum? What does the dollhouse reveal in its cut-away display of room upon connecting room with Victorian wallpaper, tiny utensils, a roast in the oven, teardrop chandeliers? In this chapbook, Ellie White takes us inside domestic spaces to show us a landscape of wild and disjointed nature, against and in which girlhoods unfurl and develop. In these sharply chiseled, dream-like poems.
Wolfsong Cover

Praise for Requiem for a Doll

What is the appeal of the miniature, of the simulacrum? What does the dollhouse reveal in its cut-away display of room upon connecting room with Victorian wallpaper, tiny utensils, a roast in the oven, teardrop chandeliers? In this chapbook, Ellie White takes us inside domestic spaces to show us a landscape of wild and disjointed nature, against and in which girlhoods unfurl and develop. In these sharply chiseled, dream-like poems, we’ll find that though “Even heaven gets wrecked,” there is a kind of beauty in detritus: in dried husks and fur of wild things, winged knick knacks of glass, dust mites that die “considerately,/ leaving their exoskeletons to replace the polyester.” Requiem for a Doll gathers the strange and mismatched fragments, the things that have become unmade, and makes out of them a blessing: “May every dress be your favorite midnight/ blue…  each shoe nestled gently/ with its mate… / a pair of small warm hands/ that will never set you down.”

—Luisa A. Igloria, author of Ode to the Heart Smaller than a Pencil Eraser

In Requiem for a Doll Ellie White guides us through the surreal landscape of girlhood to sexual awakening. These startling poems read like small blood offerings; they swell with visceral candor and fang-sharp awareness assuring us readers that beauty, too, can be inherited from all we have lost.

—Rachel McKibbens, author of Pink Elephant and Into the Dark and Emptying Field

Ellie White

Photograph by Emily Howell.

About the Author

Ellie White has been trying to teach people how to hallucinate since 1986. She holds a BA in English from The Ohio State University, and is currently an MFA candidate at Old Dominion University. Ellie writes nonfiction and poetry, and her poems have been published in FreezeRay Poetry, Antiphon Poetry Magazine, Split Rock Review, and other journals. She is currently an editor at Barely South Review. Ellie also has a background in performance poetry. She has competed in the College Unions Poetry Slam Invitational (representing Ohio State in 2011), the Individual World Poetry Slam (2011), the Rustbelt Regional Poetry Slam (2011), the Women of the World Poetry Slam (2012 & 2013), and the Capturing Fire Queer Poetry Slam (2014). Ellie currently lives among mermaids in Norfolk, Virginia.

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