The Wendigo of Wall Street
Juliette is an Anthropology professor in New York City. Cole is a self-professed “Crypto Bro” who makes a killing on Wall Street. After their disastrous first date, Juliette never expects to hear from Cole again. But when Cole texts her late one night, she finds herself caught up in a sordid plot of money, mythology, and murder that challenges everything she has ever studied.
Cole swears something sinister is lurking in the invisible realm of the cryptocurrency blockchain; Cole is convinced it is hacking the Bitcoin exchange. Cole thinks this is all designed to utterly decimate the global economy, and Cole also believes whatever it is ate his best friend. In a whirlwind of an odyssey through the financial district of Manhattan, Juliette and Cole will face the ultimate opponent as they attempt to save the world…and perhaps even discover they are more compatible than they originally believed.
Steeped in indigenous Algonquin folklore, The Wendigo of Wall Street is a classic showdown between good and evil, a legend come to life and a fable about what happens when we forget the fundamental lessons of our oldest morality tales.
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About the Author
Shannon Frost Greenstein is the author of “Through the Lens of Time” (2026), a full-length fiction collection from Thirty West Publishing; “The Wendigo of Wall Street” (2024), a novella with Emerge Literary Journal; “An Oral History of One Day in Guyana” (2023), a fiction chapbook with B*llshit Lit; “These Are a Few of My Least Favorite Things” (2022), a full-length collection of poetry from Really Serious Literature; and “Pray for Us Sinners” (2020), a collection of short stories by Alien Buddha Press.
Shannon is a multi-time Pushcart Prize and Best of the Net nominee. She resides in Philadelphia, where she works as a copywriter, with her children and soulmate. She writes literary fiction, genre fiction, nonfiction, satire, poetry, and anything else which needs to be said. #RiseUp
Shannon discovered her aspirations for writing upon making the feminists weep by dropping out of grad school, where she was a Ph.D candidate in the field of Nietzschean Continental Philosophy. She then proceeded to show up homeless on her boyfriend’s doorstep with a cat. (They’re married now. There’s kids. More cats. Love is love.)
Her work has appeared, or is forthcoming, in McSweeneys Internet Tendency, Pithead Chapel, Bending Genres, Nimrod Journal, Philadelphia Stories, Parentheses Journal, X-R-a-y Lit Mag, South Florida Poetry Journal, Feral: A Journal of Poetry and Art, Door Is a Jar, WAS Quarterly, Reckon Review, Arkana Mag, Epoch Press, Lunate Fiction, Ellipsis Zine, Scary Mommy, trampset, Maudlin House, Spelk Fiction, WHYY, the Philadelphia City Paper, and elsewhere.
Shannon harbors an unhealthy interest in Nietzsche, the Seven Summits, ballet, the Hamilton soundtrack, anti-racism, motherhood, and the Summer Olympics. She aims to write The Next Great American Novel while simultaneously acquiring more cats.
She comes up when you Google her.